Your email address will not be published. In fact, we’re headed to the part of the list where we’ll see some more expensive lenses overall. The overall quality of the images is exquisite for a zoom lens. Getting both isn’t really necessary. A 28mm lens might cost $200, or $2000. This isn’t very important since the camera settings can do that for you on modern cameras. The price point on this lens is about the same as the previous one. The following Full frame Nikon DSLR cameras are directly compatible with FX lenses (source: Nikon USA). The price tends to rise dramatically between aperture numbers, so if you can only afford f/2.8, that’s just fine! This makes it the best for night sky photography, but also makes it great for capturing objects in motion, or really any shot you can think of. But you could always shoot with the f/1.8 lens at f/2.8 by changing the camera settings! All images published at lensguide.io are either ours, authorized by the photographer, or published under creative commons commercial use license. Of course, you get what you pay for. This refers to how far the camera opens to let light in when you hit the shutter. This is a big plus! That may not be a huge problem depending on what you like to photograph. My advice here is pretty similar to the architecture photos, but I think you can get away with an even lower focal length for landscapes since they’re often so broad, especially if you’re on top of a mountain or cliff. But more money pays for more quality. It’s all a balance of your needs verses what you’re able to spend. There’s no one right answer for that, but I’ll get to that in the next question. But its ability to zoom all the way to 70mm, which is a medium telephoto length, makes it a highly adaptable lens. Your email address will not be published. Focal length is just a category! Nikon AF Nikkor 20-35mm f/2.8 D Wide Angle Lens w/ Hood HB-8 from Japan K047 $449.99 Sigma AF 21-35mm f3.5-4.2 Ultra Wide Zoom Lens for Nikon D Series & AF Film I think the best focal length for this type of photography is around 20-24mm. While every lens on this list so far has been a prime lens, this one is a zoom. Which lens you choose to buy will affect your photography and your wallet, so I’ve laid out the top 9 wide angle lenses for Nikon FX (Full Frame sensor) cameras here to help you can find the perfect lens for your needs. Here’s some advice by category: One thing I really like when capturing photos of architecture with wide angle lenses is combining details from the buildings with broad, sometimes distorted views of the shape of the buildings. Second, you want to stage the portrait so it’s a broad scene containing a person, not so much a zoom in on their face. Buying this one incredibly high-quality lens saves you from having to buy a few different, cheaper lenses. his length is a nice balance of wide angle drama and usability. At a 12mm prime focal length, this starts to go into the extreme end of the wide angle spectrum (which is also what “fisheye” means in the name). However, its quality and performance is a big step up from the Tamron, and more in line with the NIKKOR 24-70mm lens below. If you have a f/2.8 lens, you may take decent astrophotography shots, but you’ll probably get much better results with a f/1.8 lens of the same focal length. First, this is not the time for the fisheye lens unless you and the subject agree that a distorted portrait is the goal. The idea around focal length is that the smaller your focal length is, the more of a scene you can capture, whereas larger focal lengths allow you to zoom in and capture closeups of your subject. The focal length is the number with the mm attached to it. F/2.8 will work alright for astrophotography, but for the best results you really need a wider aperture to let in more light. With an f/2.8 aperture, this lens won’t capture quite as much light as some of the more expensive lenses with the same focal length, like the Nikon AF FX NIKKOR 28mm f/1.8. This means this is a perfect lens to try some astrophotography! It can be a lot of information, but the most important information for picking a lens is usually the focal length and the aperture. Here I would say the wider the better so you can capture as much of the sky as possible. Wider apertures really are only necessary for situations with very low light or while trying to capture fast movement. If I try to take a photo at 24mm focal length with both a prime lens and a zoom lens at around the same price, there’s a good chance that the prime will take a better photo. I find focusing tends to be way easier at such wide angles, so no autofocus doesn’t bother me much on a lens like this. This is why really good zoom lenses can be really expensive. On the other hand, zoom lenses work across a range of focal lengths, letting you greatly vary the types of photos you can take with just one lens. The most extreme of low focal length lenses are wide angle and fisheye lenses. There is a handy compatibility checker tool available on the Amazon listing page for this lens. I did try to vary the brands on this list, but I kept coming back to Nikon NIKKOR for a reason. While both lenses have the same f/1.8 aperture for fast, high quality photos that capture a lot of light, this lens has a smaller focal length of 20mm. Just keep in mind the angle will be less wide on a DX than FX. ), but much higher and you may not capture the full scope of the scene. (151) 151 product ratings - Nikon Nikkor AF-S 24-85mm f/3.5-4.5 G ED IF autofocus wide angle zoom lens With this lens I want to introduce you to a new type of wide angle lens: the zoom wide angle. I mention these in the reviews, but let’s spell it out in a bit more detail so you can make the best choices possible on all your future lens purchases, not just wide angle lenses. When you use slower shutter speeds, you get much more light hitting the sensor. They are both Nikon NIKKOR brand, 28mm wide angle prime lenses. It’s definitely more on par with an extreme wide angle lens and can be used for more artistic shots.
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